It could be said that William Shakespeare should be remembered as a prominent psychologist, as the beauty of his sonnets brings poetry into the realm of our investigation tools in human psychology. It is the affective subtlety of poetic tools that give promise for our scientific investigations. The theory of Presentational Self outlined in this book has everything to do with poetry—even if there is no direct poetry in the meticulous coverage of everyday interaction events that Koji Komatsu presents. Yet I would claim that poetic expression is the ultimate example of the Presentational Self—something in the poet’s current relation with the ambience triggers, and that something “bursts out” from the interior infinities of the person into the interpersonal realm of a poem, a song, a dance, or a painting. The roots of such outbursts are in the person <> environment continuous, relating within the flow of experience. So also are its outcomes.